Parts of several operas are staged, lavish performances within a performance, with choreography by Twyla Tharp and sets by Josef Svoboda. The streets of Vienna are meticulously recreated and filled with a seemingly limitless supply of costumed citizens. I was pleased to find it was just as exciting as before, still a feast for the eyes, ears and mind.īut the word “sumptuous” doesn’t quite do Amadeus justice. After that, I didn’t see it again until a screening of the “ director’s cut” in 2002. It was a feeling I became determined to cling to and after the broadcast, having badgered my parents to buy the video and the soundtrack, I watched it over and over again, wearing out the magnetic tape until the picture resembled an impressionist painting. And as with the very best childhood experiences of storytelling, Amadeus immersed me in another world.
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I was stunned, really, but once I had recovered, I realised I’d be glued to the TV for as long as it took for this tale to unfold. But the man – Salieri, old and wretched – is being taken somewhere quite different: to a lunatic asylum.ĭespair, unintentional comedy, suicide and madness, shot through with the Sturm und Drang of Mozart’s Symphony No 25 is quite something for an 11-year-old to absorb. A dance is taking place where everything seems warm and bright and young.
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As he is carried on a stretcher through the freezing streets he glances up at the windows of a ballroom. Inside they find their master has slit his throat, blood spattered across his white tunic. “Forgive your assassin!” He is answered, first by a great dismal chord from the last act of Don Giovanni, then by two servants, who are bringing the cream cakes they hope will shut him up, but end up breaking down the door. From somewhere inside a grand apartment a man screams “Mozart!” as the snow billows outside.
The scene is Vienna, a winter’s night in the 1820s. The first four minutes of Milos Forman’s Amadeus – the credits, in fact – contain more drama and pathos than many directors manage in 120. Furthermore, Amadeus Pro's powerful denoising functions allow you to easily get rid of that annoying hiss on your old tape recordings or of that 50Hz hum picked up by a badly insulated microphone.There are films that take your breath away before they’ve even begun. Repair centre The handy repair centre allows you to find and to repair cracks with a simple click of the mouse. Several hours of work in perspective? Let Amadeus Pro do the work for you! The powerful batch processor allows you not only to convert large numbers of files between any of the supported formats, but you can also instruct Amadeus Pro to apply any sequence of sound effects. Batch processing There's that whole collection of files that you wanted to convert to Mp3, but you first wanted to normalize them and make them fade in and out nicely. Each track can have its volume adjusted independently from the others.Īmadeus Pro fully supports multitrack WAVE files and allows you to render sound on up to 5 different loudspeakers simultaneously. Multitrack editor Amadeus Pro is a fully featured multitrack editor. Amadeus Pro is a powerful multitrack audio editor supporting a variety of formats including MP3, AAC, Ogg Vorbis, Apple Lossless, AIFF, Wave and many others.
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